Kim and I finally found some time to write together! It’s the most amazing thing ever. Anyway, this book (and maybe the review?) should come with a big ol’ trigger warning. So consider yourself warned.
It was just a normal Tuesday afternoon. I was twenty-three and thinking about my new designer boots. They kidnapped me for ransom. They raped me before I was rescued. My therapist says that talking about it means I’m starting to heal.
I don’t really think I am.
It’s even harder to talk about Gideon. He couldn’t save me when it really mattered, so he keeps trying to save me now. He refuses to give up on me, and I can’t make him understand. There are some things you just can’t be saved from.
Kelly: I have a terrible memory, so Kim had to remind me why I read this book. Not kidding. It went like this: a few months ago, I got into this EPIC Twitter convo with a bunch of awesome ladies about books (and by books, I mean romance novels. You knew that, right?) that deal with taboo subjects: rape between the H/h with eventual HEA, older woman, domestic violence between the H/h with eventual HEA, etc. Our list of taboos was lengthy, but I (predictably) can’t remember all of them. Kim saw part of our convo and was like, hey, there’s this Noelle Adams book that’s about the heroine dealing with surviving a gang rape. And I thought, well. I guess I have to read that book. So I did. Once I finished it, I texted Kim and was like “KIM. KIMMMMMM. KIM. KIM!!! YOU MUST READ THIS BOOK.” So she did. Because that’s how we roll.
Kim: I knew Salvation was going to be a tough read and was hesitant to read it until Kelly gave me the green light. I was hesitant because I wasn’t interested in reading a book about a taboo subject that ended up being a story of fathomless despair. Reading taboo subjects is already hard enough on a reader’s emotions and I really wanted to know that getting through this book (and its rough subject matter) was worthwhile and offered hope. (Hope is my favorite emotion – more on that later)
Kelly: This book does deal with taboo subject matter (not necessarily a formalized taboo within the romance genre, but it’s definitely a cultural taboo), but I want to reassure you that it’s not one of the types I mentioned above. I mean, if you read the blurb, you know that, but I just wanted to make it perfectly clear that we’re not suggesting you read a book that brings an HEA to a gang-raping hero. We have some standards over here. Anyway.
Kim: We definitely have standards. I’ve DNF’d a book for having a heroine fall in love with her kidnapping hero. NOPE. Not ok to drug someone and kidnap them for your own pleasure. ANYWAY – I’m off on a tangent here. I’ll throw it back to Kelly :)
Kelly: Salvation opens with the kidnapping and resulting trauma and then follows the incremental, often difficult, recovery for both characters. It’s not quite a day-by-day retelling, however; in fact, it’s possible that there was actually an editor on this book.
Kim: I agree with Kelly 100%. Adams’ books can become way overzealous in the attention to monotonous details. Thankfully the details that were included in Salvation were specifically chosen (IMO) to help us understand Diana’s mindset after the rape. As someone who has never gone through what Diana has, the sparser details made me look for the importance of the details we were given.
Kelly: Well, and honestly… Adams is telling a story in this book. There is character and story development along the way, an actual narrative arc (a plot!!), and an eventual HEA that is satisfying. In some of her earlier stories, it sometimes feels as though she’s just regurgitating carefully taken notes from her research — some of it conducted through interviews, I’d guess — and it pretty much reads like that, too. (Hmm.. I didn’t intend to seem so harsh, but… there it is. I apparently get upset when I read an entire book hoping for a story and don’t end up getting one.) ANYWAY, Adams fixes all that, here, editing out all the nonsense and giving us a clear story about these characters, their recovery from trauma, and the development of their romance.
Kim: I’m thinking that maybe because rape is such a sensitive topic, she spent way more time on this book than her previous ones. I think also, this book is way more about Diana’s journey, than about her journey with Gideon. Also something that differs from her other books – the focus on an individual journey instead of the couple’s. Even though the romance wasn’t front and center it still seemed very organic.
Kelly: I think you’re right that the focus is on her story, and — though I’m a romance reader who wants her romance front and center, damn it! — it didn’t bother me during my first read of this book that the romance storyline was occasionally sidelined. But later, when I read the book a second time, I felt a bit more conflicted about it. One of the (two) hallmarks of genre romance is that the romance storyline be the central focus of the story; and that’s just not the case, here. It’s still a damn interesting book, and one that I don’t hesitate to recommend to readers who can stomach its difficult elements, but dyed-in-the-wool genre romance readers need to know that the focus of the story is on Diana’s recovery — it’s her story — and their relationship’s development (and Gideon’s story) gets much less page time.
Kim: I agree that dyed-in-the-wool genre readers might be bothered by the fact that the romance is not the central storyline, but I think Diana and her recovery journey may win them over.
Kelly: It’s true. I wonder if it’s just because the book is a first-person narration and Diana’s issues are legion. Like, of course everything else is going to take a backseat to all that in Diana’s POV.
Kim: That’s a good point. We only ever get Diana’s perspective and as such of course her journey is the most important focal point.
Kelly:OK, before we talk about anything that bothered either of us about the book (I have a few bones to pick), let’s talk about what we liked.
Kim: I absolutely loved that this book was not afraid to go to dark places. Diana’s recovery process goes through tons of ups and downs. She begins to harm herself by running on her treadmill for hours. Her feet are blistered and bloody, she sprains her ankle and continues running on it, her muscles are way overused, etc etc. Her mindset as she runs is to just run until the pain of the rape and life goes away. She also attempts suicide at one point. When she tries to go back out into society she is petrified of anyone being behind her, or of being in loud and crowded spaces.
I won’t say that I enjoyed reading about how dark of a place Diana’s mind goes, but I like that this book didn’t shy away from the tough. Recovering from being raped….I can’t even imagine how difficult of a process that is.
Kelly: Exactly; if the book hadn’t gotten that dark, it wouldn’t have felt authentic at all. One thing I worried about when I read the blurb (and when it first became clear just what horrors await our heroine) is that the romance between these survivors — the woman whose body was violated and the man who couldn’t prevent it from happening — would seem like it came from nowhere, or — to say it better — as though Gideon’s feelings developed exclusively from his case of survivor’s guilt. Although that’s a huge part of his initial impulse to reach out to Diana, the feelings he ends up developing for her come about because he genuinely enjoys spending time in her company (even though she’s all fucked up).
Kim: Authentic was the exact word I was looking for! I was also worried we’d have a case of “magic penis.”
Kelly: I know, right? Like: Gideon: hey Diana, I get that you’ve been gang raped and that you’re all traumatized about it, but… say hello to my little friend! Diana: Oh, wow! I’m all better now! That’s a beautiful penis!
Kim: Way too often everything is suddenly solved by the “magic penis.” I give Adams a lot of credit for making sex a problem between Diana and Gideon and not the solution to their issues. WAY more realistic than “We had sex, now we’re in love, I was raped, but your penis saved me!” HOORAY HEA!!!!!!
Kelly: Exactly, especially because this book could be triggering to some, and the magic solution via a penis would be… well, problematic. Instead, Diana battles through her issues, goes to therapy, creates problems for herself with all the self-harm (and the self-imposed notion that she should just be OVER it already), gets back on the wagon, and keeps healing. When the friendship with Gideon deepens into a relationship, they take it very slow. It might not sound like the most fun book in the world to read, but I actually found it very interesting as a piece on recovery from trauma and the role that love can play in all that. Honestly, it was just neat that the narrative took the whole healing process very seriously. It is a process, it takes time, and it isn’t a one-size-fits-all type of thing that works for everyone. Diana went into her trauma with her own issues, and her recovery reflects those pre-existing issues.
Kim: I loved the slowness of her recovery and how respectful Gideon was of the time she needed to heal. I LOVED Gideon. LOVEEEEEEEEDDDDDDDDDD
Gideon was just…..wonderful. He knows when to push Diana and when to let her move at her own pace. He is constantly reinforcing that she is a good person, with a good heart. That she has the ability to love and to be ok again. He’s willing to do whatever it takes to make her see that his feelings for her aren’t out of a misplaced sense of guilt, but because of the person he sees inside of her. He gets the tattoos that he had on him (for the undercover part of his job) removed knowing they might trigger bad memories for Diana.
Kelly: I’m with you — Gideon is great, and I genuinely enjoyed Diana too, even though we’re seeing her at rather a low point. These characters are both great, and they’re great once they finally get together. One thing that bothered me about the book was how long it took to get there. Don’t get me wrong, I’m glad that Adams didn’t push Diana’s recovery or make everything pat ‘n’ perfect, but there was a little too much back and forth on how Diana wanted Gideon around but didn’t want him to ruin his life for her because she was never going to recover. Maybe one or two mentions of that would have been enough, but my memories of the first half of the book are pretty much like this:
Diana: Gideon, I love you being around, and I want to spend time with you, but I’m holding you back from living your life.
Gideon: No, you’re not. I’ve got nothing better to be doing.
Diana: Yes, I am.
Gideon: No, you’re not.
Diana: You must date other people! I demand it!
Gideon: *sigh* OK.
— time passes —
Diana, to herself: Gideon’s never around anymore. I guess he’s moved on. *weeping*
Gideon, to himself: I really wish I could go spend time with Diana, but I guess she doesn’t want me around. *manly near-weeping*
— time passes —
Diana: Gideon, I’m glad you’re spending more time with me, and I really do want to spend time with you, but I’m holding you back from living your life.
Gideon: No, you’re not. I want to be here. I don’t want to date anyone else.
Diana: Yes, I am, because I’m never going to get better.
Gideon: No, you’re not (and yes, you are!)
I’d have been happier if the back-and-forth stuff had been edited down some because the angst of all those seemingly unrequited feelings on both sides overshadowed some of the genuine emotion of the actual story.
Kim: The back-and-forth and back-and-forth did get a little tiresome. But set against how slowly (not judging her here) the rest of her recovery moves I get her “I’m never going to get better” mentality. And considering she withdrew from everybody she knew and nobody but Gideon made an effort to really see her and gauge her healing, I get why she thought she was ruining his life. Nobody else really found time for her struggle. Her friends try to see her, she says no, and they’re like ok! See you later. Gideon is the only one who forces his presence on her.
Kelly: Oh, I totally get that there were those issues, but I just wish they’d taken up less space in the book. The story was moving forward, I was invested in the characters, in Diana’s journey, and then… it lost momentum for a bit while Diana and Gideon had the same conversation several times over, with no resolution in sight until one day — DING — Diana gets her hope back. I think the story managed to regain its momentum, but, for a while there, I struggled to remain in the story. It’s an example of the thing Adams struggles with in her writing (or seems to), balancing her storytelling with her obvious inclination to tell the whole truth about her characters. Sometimes her writing lacks focus.
Kim: I think I understand where you’re going. And the only thing I can think to say is that we were both impatient for Diana to have SOME goodness and happiness in her life. The back-and-forth of her emotions was difficult to take at times, especially when it seemed like Diana had finally gotten to a good place only to spiral downward in her feelings again. It does at times feel like a lack of focus on Adams’ part.
At the same time, I’m not sure what I would have taken out or edited down. For Diana to grow and heal she needed to go through the process she did and part of that was pushing Gideon away the way she did everyone else. I wish we didn’t have to watch it happen so many times, but somewhere in her head she rationalized pushing him away to see if he would come back.
Kelly: Well, you’ve got a good point there. And the bottom line is that I enjoyed reading the book, and I think it’s the best edited of all the Noelle Adams books I’ve read.
Kim: Definitely. Props to your editor Ms. Adams! (And you!)
Kelly’s Final Thoughts: While it’s a difficult book to read in many ways, it’s also powerful and well worth the effort. After I read Salvation, I wanted to read other books that depict characters in recovery, preferably within genre romance. A few days ago, I finished Maya Rodale’s What a Wallflower Wants, the final book in her Wallflower series, and I was impressed by how Rodale handled the subject of recovery while keeping the romance (a swoony one, at that) decidedly front and center.
Kim’s Final Thoughts: Thank you Ms. Adams for writing a book about a subject not oft discussed and illustrating that while rape is a difficult subject to read about, it doesn’t need to be a taboo one.
If interested in reading journeys of other rape victims Kelly and Kim suggest:
- Summer Rain - an anthology featuring Ruthie Knox, Mary Ann Rivers, Cecilia Tan, Molly O’Keefe, and others
- What A Wallflower Wants by Maya Rodale
- The Governess Affair by Courtney Milan
- Outlander by Diana Gabaldon
- The Girl with the Dragon Tattoo by Stieg Larsson
- What an Earl Wants by Kasey Michaels
- One Week as Lovers by Victoria Dahl
- The Fall of a Saint by Christine Merrill (with a big ol’ caveat: the hero is the rapist. I still liked it and recommend it, but…. be warned. Be very warned.)
Hey, you at home! Are there any more books you can suggest to add to our list (or recs for me to check out? I’m a sucker for books that deal with sexual assault.