Dual Review: Tasha and I talk about The Chocolate Heart and The Chocolate Temptation by Laura Florand

When I read The Chocolate Thief, I realized Tasha (from Truth, Beauty, Freedom, & Books) just had to read it (and all the books in the Amour et Chocolate series. I mean: Paris, ’nuff said. We decided to talk about The Chocolate Heart and The Chocolate Temptation today.  Check out Tasha’s blog for the first half of our conversation and read on for the second half. (You can totally read the second half first.)

Charles Thévenin [Public domain], via Wikimedia Commons

 Happy Bastille Day!

She hated him.

Patrick Chevalier. The charming, laid-back, golden second-in-command of the Paris pastry kitchen where Sarah worked as intern, who made everything she failed at seem so easy, and who could have every woman he winked at falling for him without even trying. She hated him, but she’d risked too much for this dream to give up on it and walk out just so he wouldn’t break her heart.

But he didn’t hate her.

Sarah Lin. Patrick’s serious, dark-haired American intern, who looked at him as if she could see right through him and wasn’t so impressed with what she saw. As her boss, he knew he should leave her alone. The same way he knew better than to risk his heart and gamble on love.

But he was never good at not going after what – or who – he wanted.

He could make magic out of sugar. But could he mold hate into love?

Tasha: I kind of have an issue with this blurb. I mean, it’s a GREAT blurb in that made me really want to read the book, but it’s also totally inaccurate. It’s obvious from page one that Sarah doesn’t “hate” Patrick—totally the opposite. And I think the blurb ignores most, if not all, of the actual themes in the story, like following your dreams and how it’s a Cinderella tale.

Kelly: Except not really a Cinderella tale, because Cinderella stories suck. (That’s my favorite scene in the book, by the way, because I’m with Patrick: Cinderella stories suck.)

Tasha: Aw I like Cinderella stories. But you’re right in that both Patrick and Sarah end up being one another’s “fairy godmother,” so to speak.

Kelly: My antipathy towards Cinderella stories stems from the Disney movie and the number of times I had to watch it with my daughters. (Tangent: my eldest has issues with narrative conflict, so, for a while, we had to avoid all movies that involved any sort of conflict. Guess what that leaves? CINDERELLA. It’s got no conflict at all, really. I mean, at one point the Stepmother locks Cinderella up, sure, but it’s not really a conflict, is it? Cinderella’s such a passive character that it just rates as something that happens, another problem the mice will solve for her. UGH. /tangent) Anyway, I appreciated Patrick’s dismissal of Cinderella stories and his conclusion that his and Sarah’s story, while it might have the outward appearance of a Cinderella tale, differed in its content because he and Sarah were just not as lame as Cinderella and her Prince.

Tasha: lol I honestly don’t even remember that scene. I do agree that Cinderella is pretty passive, though, and that does pose a problem for modern readers. Florand did a good job of keeping the fairy tale elements of the story while making Sarah and Patrick act for their own self-interest in a believable way.

Kelly: Is Luc the evil step-mother?

Tasha: Haha! Obvs. Actually I would say they each have their own evil stepmothers, wouldn’t you? With Sarah it’s her mom and with Patrick it’s Luc. But they’re not straight-up evil.

Kelly: I was going to say that Sarah is her own evil stepmother…I mean, her mom definitely has things she wants for Sarah, but Sarah internalizes so much that I’d guess that most of the stuff that drives her or holds her back is actually from within.

Tasha: By the time she’s an adult, yes. At first Sarah kind of annoyed me with her obsession with perfectionism and her complexes over never being good enough.

Kelly: I loved all of that about her, because my reading crack is an insecure heroine whom the hero appreciates and who learns to appreciate herself. (Seriously. That’s the reason I liked the Twilight books the first time I read them. I was a goner at the bit about Bella just not seeing herself clearly. The books could have been ten times more crazy than they are, and I still would have been like, Gosh, this book is awesome. It’s a problem.) BUT, yes. When I struggle to ignore my madness and be reasonable about the whole thing, it is a trifle annoying that Sarah is actually super awesome at everything but has the self esteem of an utter fuckup.

Tasha: Patrick, on the other hand, I adored, even though I saw some readers complaining that he’s stalkerish. Which is actually pretty valid—he does go all Edward Cullen on Sarah (wait—is this book actually based on Twilight???).

Kelly: Maybe.

Tasha: Vampires do like their food, Kelly. ANYWAY, I agree that Patrick was a little stalkerish, but I think Florand was using that to address the power imbalance between him and Sarah directly instead of just ignoring it, which happens WAY too often in most romance novels. And I also think that the interpretation of him “courting” Sarah as opposed to stalking her was really sweet (and also probably why I have a weakness for stalky Edward Cullen heroes).

Kelly: I was OK with the “courting” bit because we got to view some of Patrick’s POV and were able to see that he was aware of the power imbalance and that he was trying to even it a bit. If the story had been told exclusively from Sarah’s POV, I might have found it creepy. You know, unless there was a bit of dialogue wherein Patrick told Sarah that she just didn’t see herself clearly. Because… *drool*

Tasha: Right. I also liked how Florand showed us the “dark side” of Patrick’s charm, and how he used it to push people away. On the inside he was SO DAMN BROODY. There was a point in the book where he literally did this:

LITERALLY. Except maybe for the signing.

Kelly: Surfer-boy Patrick with the internal brooding is pretty much my favorite thing ever. I’ve got that insane soft spot for insecure heroines, but I’ve got an even bigger one for broody, moody heroes. (If Patrick had been grumpy, to boot, he’d be my version of perfection…)

Tasha: I love me a broody hero, but a SECRETLY broody hero? *swoon*

Kelly: Yes, I’ll join you on that fainting couch. I love secretly broody heroes. (But my favorite heroes are always grumpy, grouchy, moody assholes on the outside and mushy on the inside. Like… sourdough bread.)  That said, Patrick’s internal broodiness is pretty much made of mush, so, YES, I loved him something fierce.

Tasha: If he was grumpy, too, then he would be Luc. Was there anything you didn’t like about the book?

Kelly: Yes, but Luc had that stifling sense of control, and my favorite thing ever is a hero who just can’t control himself (except, to clarify, I don’t include rapey heroes from the 80s, because, NO.). You know, like Edward not being able to control stalking Bella or Patrick not being able to keep away from Sarah.. all those feelings he just couldn’t control. Luc mushed out only in his desserts, and I want a bit more expression and passion from my favorite heroes.  Anyway, your question… I think I loved everything about the book, honestly, but I recognize that it’s because the book hit so many of my favorite buttons. Maybe I can’t be unbiased about it, you know?

Tasha: It hit a lot of my favorite buttons, too, but I also had some major problems with it. It took me a while to get into it because there was SO much internal monologuing in the first few chapters. Like I swear it took Sarah 5 paragraphs to pay for a beer because she kept thinking about why she needed to pay for the beer and not Patrick. I was like, “I get it already!” I think that’s an issue for Florand when she doesn’t have an editor riding her butt about it. I also thought the book was way too long. The ending dragged on and on and on.

Kelly: LOL. I was like a crack addict who didn’t want the high to end. I was like, “Just keep going! Explain all the things! Give me more!” because I have an illness.  But, yeah. You’re totally right.

Tasha: And I think it bothered me that much because it’s a *Laura Florand* novel, and if it had been edited down more it would have seriously been one of the best novels I’d ever read.

Kelly: Yeah, it’s true. For the record (and, also, somewhat obviously), I’m willing to overlook a whole pile of crap if an author delivers me my drug of choice, but… it is probably better if that crap isn’t there to be endured or overlooked. (Especially because we all have a slightly different drug of choice, no?) This is sort of beside the point, but I had some similar thoughts when reading Sun-Kissed recently. I would have loved the holy hell out of that book if it had been edited a little more harshly.

Tasha: Yeah, I felt the same way about Snow-Kissed, actually. So of the two, is there a better one, do you think?

Kelly: Well, I think Temptation is better than Heart, but… well, I was going to say I think that not because of my bias but because Temptation tells a clearer story and doesn’t rely on miscommunication as a plot device, but I just remembered that it totally does. (It’s there in the blurb that isn’t 100% accurate: Sarah “hates” Patrick because she loves him and she’s convinced that he’s just dallying with her. Patrick loves Sarah but has some issues and is unable to let anyone (including Sarah) know what he wants. Shenanigans ensue.) Soo.. I don’t know if one is better than the other, but I know that I’m very glad I read them both.

Tasha: I think Heart is better written than Temptation, so I’d probably recommend that one first; but I agree the story in Temptation is better. Not just clearer and with more likable characters, but more transformative and more fully-realized. I do love Persephone stories, though… In more than one way the novels balance each other out. They’re kind of a paired set of books—not a series so much as companion novels. You really do have to read both if you’re going to read one.

Thanks for recommending these books to me, Kelly!

Kelly: You are welcome. I’m just glad you liked them. 🙂

Remember to head on over to Tasha’s blog to check out our discussion on The Chocolate Heart. Let us know in the comments (or on Twitter) if you’ve read these books — or if you haven’t — and if you’ve ever read a book that you just loved to pieces even though it had some issues.

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11 thoughts on “Dual Review: Tasha and I talk about The Chocolate Heart and The Chocolate Temptation by Laura Florand

  1. I read The Chocolate Touch and did not like. It was all the internalizing, but I loved the setting and everything chocolate. You know what I did love?: your dueling review! It was a hoot; yet, it still gave me a better sense of the novel than a singular viewpoint.

    • I’ve been having so much more fun writing with Tasha and Kim lately than attempting to write by myself… I’d love to write one with Miss B, if she’d ever be interested. 🙂

      I totally understand what you mean by all the internalizing, but I’m one of those crazy readers who likes it. The more folded in and neurotic a narrative is, the more likely I am to fall in love with the book. I love that Tasha pointed out that it took 5 paragraphs for Sarah to order a beer… it’s true! (And it didn’t bother me, to my shame.)

      • MissB would love to, it’d be so much fun … or, ahem, even attempt a threesome. Whoa. Did MissB just make an off-colour joke?

        Stay tuned, I may have a book for you … working on TBR Challenge review that’s so folded “in”, it’s an “insy”. 😉

      • That sounds up my alley, to be sure. Back when I was reading books by dead men (*ahem* classics), I preferred the ones that were heavy on the rambling and internal journeys and light on the plot. Those preferences followed me to my romance reading… What’s funny, though, is that I’m really not keen on first-person narration, and it takes a special writer to sell me on a story told that way.

      • It is rare that I’ll “take” to first-person narration. I have, however, given myself over to Charlotte Brontë’s JANE EYRE wholeheartedly. I think first person narration requires a writer in complete control of her material, otherwise, much badness ensues. We certainly see it in YA fiction in the past five, or six years, TWILIGHT really clinched and killed that genre. I’m reading Mary Stewart and have read Susanna Kearsley (and the influence of the former on the latter is obvious), and they use first person narration, and I love their books. But I’m leery, I have to have trustworthy endorsement before I pick up first person. If you told me something 1st person was good, I’d read it.

    • Florand’s internalizing can definitely get out of hand sometimes, but I love her characters and the setting so much it makes up for it. The Chocolate Touch is my favorite!

    • That’s funny. I’ll be doing the same when I get around to talking about Touch and Rose… I’ll be just like Vizzini choosing which goblet holds the poison. You know, except not at all. 🙂

  2. Pingback: 2014 – a summary of my reading, contemporary and quirky romance edition | Reading with Analysis

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