On literary fiction – Armchair BEA 2013 – Day 3

It’s day 3 of Armchair BEA, and today the topic is literary fiction: What books have you read this year that would fit into this category? Is there anything coming up that you’re particularly excited about?What authors/novels would you recommend to someone new to the genre? Are there any misconceptions or things that you’d like to clear up for people unfamiliar with literary fiction? What got you started into this kind of book? Name a novel that hasn’t received a lot of buzz that definitely deserves it.

I ranted yesterday about my reservations with distinguishing between literary and genre fiction, so today I’ll (try to) content myself with answering the question.  I don’t read a lot of literary fiction — some years, I don’t read any.

What is literary fiction, anyway?  It’s a non-genre genre, and perhaps it’s best defined by one thing that it isn’t, and one thing that it is. It isn’t genre fiction, and it is (must be) identified as literary by an accepted critic whose merit as judge and gatekeeper everybody who is anybody approves.  It tends to be written by men (for a variety of reasons, including: books by women tend to be sidelined as chick-lit or the slightly better-named women’s fiction, and most reviewers bestowing literary status are men and may be less inclined to review books written by women, though probably not for nefarious reasons… in our culture, we tend to assume that books written by men are for everybody, but books written by women are for women and thus are not mainstream), and I suspect the idea is that the books that are touted as literary fiction today will end up being the classics of tomorrow.  I wonder how many of them will actually make the cut.

So why don’t I read more literary fiction?  I like good books, and I recognize and appreciate quality writing where I find it — why wouldn’t I read a genre that is vetted for quality?  Honestly, it’s Tess of the d’Urbervilles’ fault (everything is, actually).  I know, I know – Tess is a classic and bears no resemblance to modern literary fiction.  The thing is, having spent the better part of a decade reading the classics, that sea of venerable men and a few worthy ladies, I’ve come to associate literature with sexism/misogyny.  Tess is just a fine example of it, even if Hardy was being ironic (and I’m not entirely convinced that he was).  So I’ve been making a concerted effort to avoid misogynistic literature and cultivate a more feminist library.  I’ve been a lot happier, in general.

I know — I’ve thrown the baby out with the bathwater, and I’m terribly wrongheaded and all that — I know!  But I’m just being honest, here.  It’s probably a temporary thing, but for now, that’s where I’m at.  Have any of you gone through anything like this in your reading, where you purposely avoid an entire section of the bookstore because those books make you angry?  Did you grow out of it after a while?

Lastly, these books are probably not considered literary by the gatekeepers at the NYT, but they certainly struck me as being more literary than otherwise.
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2 thoughts on “On literary fiction – Armchair BEA 2013 – Day 3

  1. I never read Tess of the d’Ubervilles, but I saw the miniseries and that was enough. :p I wonder if P&P would be considered literary fiction? I have a feeling Emma would be because it’s boring (sorry if that one’s your fave).

    I think literary fiction is its own genre, but I definitely don’t understand the rules for it. I think it definitely has to do with being part of the canon of literature, the selection of which I tend to disagree with anyway.

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